Babe Ruth played third base on his team until he was fifteen
years old. During one fateful game he repeatedly criticized the pitcher.
Irritated with the young upstart, the coach, Brother
Mathias, called out, “Ruth, if you know so much about it, you pitch!”
This took the boy by surprise. Embarrassed because he had
never pitched before and didn’t want to make a fool of himself, he refused.
However, Coach Mathias, wanting to teach Babe Ruth
a lesson, insisted.
Having no choice the boy stepped to the pitcher’s mound to
strike out one batter after another.
Years later Babe Ruth recalled, “The moment I took the
pitcher’s mound I knew I was supposed to be a pitcher.” He recalled that it was
“natural” for him to strike people out.
According to Howard Gardner in his book Multiple
Intelligences Babe Ruth had “Bodily Kinesthetic Intelligence".
As with the musical intelligence exhibited by Menuhin, Babe
Ruth’s intelligence arose from a part of the brain that apparently was switched
on from birth to facilitate the amazing talent of this child prodigy.
Some readers may be asking what musical and bodily
kinesthetic intelligences have to do with the academics children need to learn
in school.
Howard Gardner goes beyond pointing out that these special preferences
and abilities that people are born with are actual intelligences. In the
experience of teachers who are given the freedom to sensitively facilitate the
learning of individual children, these favored intelligences are segues into
the three R’s. Almost always children are more inclined to read and write about
topics related to this preferred internal intelligence. In other words, these
intelligences are always connected to heightened interest.
In his book Inevitable
Grace, Piero Ferrucci, discusses the awakening of the famous dancer,
Isadora Duncan. She was drawn to beauty of any kind, and wished to express
similar harmony through movement. The inspiration for the dance for which she
became famous arose from gazing in rapt adoration at the Parthenon. To
contemplate the sacred proportions of this ancient building was not enough for
her. She wished to express such harmony of line and form through dance.
For days, her body remained frozen, unable to dance. In
fact, she resolved she would never dance again, until she could express such
unparalleled beauty. Finally, when she realized that the columns were not
simply straight supports, but represented in concert an undulating, spiraling
movement, the inspiration came. Her dance became a form of prayer.
My prime concern is the current and escalating trend to
foster fear and anxiety in order to to promote cold homogeneity and regimentation as
synonymous with education. It is cultural suicide to assume that the
inspiration can be allowed to lead only after a stodgy left-brain route through
suppressed childhood. True a few swans will make it through to express innate
talents, regardless being under the control of duck consciousness. But how many
will bury these and substitute mindless entertainment, addiction to the
acquisition of things, and the comfort of a dull, routine existence for
transcending potentials lost in the social press for ordinariness.
Genius does not follow the plodding steps of factual knowledge alone. When
Inspiration takes the lead, raises the bar of purposeful endeavor, and employs
understanding and talent for its own purposes, then pursues the awakened
Genius.